House of the Rising Sun Bed & Breakfast Algiers Point, New Orleans, LA
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Undoubtedly, “The House of the Rising Sun” is one of the most famous songs ever written. It became popular thanks to the British rock band the Animals, but before that happened, there is a huge story-line to be tackled. Apart from Leadbelly’s iconic rendition, several notable artists have covered “House of the Rising Sun” throughout the years.
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Musicologists say that it is certainly based on the broadside ballad tradition; a type of ballad which differentiated from traditional ones. They were popular between the 16th and the 19th century and unlike the traditional ballads, which were more epic in nature, they spoke of love, religion, legends, and wonders, and some were even drinking songs. The ‘broadsheet’ contained the lyrics of the song, along with the name of some popular tune that would match with the lyrics.
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The two were over 100 miles apart, a considerable distance in the 1930s, yet both sang eerily similar versions of the song. In an age where few could afford record players or radios, how did so many people learn the same music such as the Rising Sun? And in an era before cars were common and highways were still 25 years away, how did songs like this one manage to spread across the country?
Other notable versions
From the building's balconies, you can see Old Ursuline Convent, which is the oldest structure in the Mississippi River Valley. Fills his glasses to the brim, passes them around.The only pleasure he gets out of life is hoboin’ from town to town. Sign up for special tips, offers, and info about all the latest happenings around NOLA with our monthly Insider’s Guide, delivered right to your inbox.
By 1810, New Orleans was the fifth largest city in the country with one of the country’s busiest ports. With many sailors docking there and little opportunity for the poor and newly immigrated, many women turned to prostitution. The city of New Orleans even legalized prostitution in one area of town right outside the French Quarter—Storyville. Professor Judith Kelleher Schafer who wrote about prostitution in Antebellum New Orleans describes the city as “wild” then. Undoubtedly, there were plenty of opportunities for a poor boy to find ruin in NOLA. So, whether a jail, a bar, a brothel, or as a symbol for the city itself, any of the theories could be correct.
Origin and early versions
As part of their job, they worked on the field and were able to record a number of performances of the legendary song. This was the ancestor of hundreds of covers that were later on released by numerous performers, included Dave Van Ronk, Bob Dylan, Joan Baez, and of the course The Animals, who first helped the song become a worldwide hit. Originally a traditional folk song, “The House of the Rising Sun,” also known as “Rising Sun Blues,” tells of life in New Orleans, back in the day when poverty was the fate of many people. Like the majority of classic folk ballads, the authorship of “The House of the Rising Sun” is tricky and uncertain.
What makes Leadbelly’s version of “House of the Rising Sun” special?
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It is uncertain whether they are Spanish or French-influenced, but they are distinguished by their tall and narrow construction with a side-gabled or hipped roof and vertical massing. They are often L-shaped and have a carriage passage from the street to the courtyard on the side of the house. The beautiful garden courtyards in New Orleans today were originally used as a functional space for the kitchen, bathroom, stables, and slave quarters. The peaceful streets of Algiers Point are a welcoming relief from the excitement of the French Quarter. The tree and flower lined streets, beautiful 19th and early-20th century homes and churches make Algiers Point one of the finest neighborhoods in the City. Come and enjoy the warm hospitality and you will return home with another famous song on your mind….
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The Animals began ending their live shows with the song when they were on tour with Chuck Berry in 1964. The song reached the top of both the U.S. and UK pop charts quickly after its release. Many other artists have recorded the song—Woody Guthrie, Bob Dylan, Nina Simone, Joan Baez, and Dolly Parton to name a few. Throughout its earlier history, the house only changed owners four times, making it nearly possible to pin down when the house served as a brothel-or if it ever did. However, it is commonly believed that the house was known as a house of ill-repute right after the Civil War, where life in New Orleans had become “turbulent,” as described by Ghost City Tours.
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Pete Seeger released a version on Folkways Records in 1958, which was re-released by Smithsonian Folkways in 2009.[16] Andy Griffith recorded the song on his 1959 album Andy Griffith Shouts the Blues and Old Timey Songs. The earliest known recording was released by Appalachian artists Clarence “Tom” Ashley and Gwen Foster. “House of the Rising Sun” has inspired countless musicians across different genres.
In the case of “The House of the Rising Sun,” the theory is it resembles “The Unfortunate Rake,” a 16th-century folk song which over time has evolved into a huge number of variants. The earliest known variant of “The Unfortunate Rake” laments over a young man dying of syphilis. Other variants lament over the fate of young soldiers, sailors, cowboys, or maids, all of whom had lost their life too early.
Other early recordings include Woody Guthrie’s version from 1941 and Bob Dylan in 1961. The version by the Animals, however, is by far the most popular, and Dylan is often annoyed when it is assumed that he covered that song from them. Music specialists claim that the song belongs to the folk ballad tradition that was so popular between the sixteenth and nineteenth century, which doesn’t really help us pinpoint when the song was created. They believe that although there’s no way to really know who wrote it or when, because of its folkloric nature, it can be traced more than two centuries back. Over the years, passing from voice to voice, it was transformed and adapted to many different situations and stories, like soldiers dying in the war or sailors lost at sea.
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Several have researched the topic of “floating songs”, which, much like the songs themselves, has murky and hard-to-trace origins. There has been evidence to suggest that the song, though it’s origins are commonly traced back as far as the early 1900s Appalachia area, has strong roots dozens or even hundreds of years earlier in England. As many people over the years churned and moved and settled, the places that components of the song could have come from are nearly endless. Much like hundreds of other folk songs, the epicenter of House of the Rising Sun is lost to the past. It was a song that was passed from person to person and from one generation to the next. It’s earliest singers, the location of the house that so many had apparently spent their lives in sin and misery, and most everything else about the song is a mystery.
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The song has been continuously been lauded for it’s sound and staying power, and remained The Animals most popular single. In it, his journey in search of the true birth of the song take him to a dozen states and even across the Atlantic ocean. The book expertly discusses Rising Sun as a part of the greater story of the spread of folk music at large. Anthony presents several ways songs tended to move across the confining borders of small towns where many of the folk singers, both recorded or otherwise, lived their entire lives and died. Anthony asserts that Clarence Ashley actually traveled the Appalachia area in the 1920s with medicine shows.
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